Hitting The Ton.
Conditions: Stupidly Cold.
Spokeman.

Most of the time, the President speaks through his white house press secretary. He's (or she's) the one who is up there in front of the ravenous reporters, fielding questions as best he can while trying not to sweat. Over the course of the Bush administration, a number of press secretaries have come and gone (itself an interesting fact). But the one we're concerned with today is former press secretary Scott McClellan, the spokesman at the beginning of the Iraq war years. See, at the time he'd go on about how the Iraqis want freedom, and the President wants to give it to them, and no evil dictator (threatening both his own people and America from his hidden bunkers and laboratories) is going to stop the righteous march of peace and democracy. Anyway, he was regarded as a professional, he took on the mantle of the presidents spokesman, and was the cause of much grief and incredulity during his reign. Now those days are long past, and it seems Mr McClellan wants to make some money from his years of being close to the president. So he's written a book, a book in that where:
• McClellan charges that Bush relied on "propaganda" to sell the war.
• He says the White House press corps was too easy on the administration during the run-up to the war.
• He admits that some of his own assertions from the briefing room podium turned out to be "badly misguided."
• The longtime Bush loyalist also suggests that two top aides held a secret West Wing meeting to get their story straight about the CIA leak case at a time when federal prosecutors were after them -- and McClellan was continuing to defend them despite mounting evidence they had not given him all the facts.
[...]
The Bush White House made "a decision to turn away from candor and honesty when those qualities were most needed" _ a time when the nation was on the brink of war, McClellan writes in the book entitled "What Happened: Inside the Bush White House and Washington's Culture of Deception."
The way Bush managed the Iraq issue "almost guaranteed that the use of force would become the only feasible option."
"In the permanent campaign era, it was all about manipulating sources of public opinion to the president's advantage," McClellan writes.
[...]
McClellan called the Iraq war a "serious strategic blunder," a surprisingly harsh assessment from the man who was at that time the loyal public voice of the White House who had followed Bush to Washington from Texas.
"The Iraq war was not necessary," he concludes. "Waging an unnecessary war is a grave mistake."
McClellan admits that some of his own words from the podium in the White House briefing room turned out to be "badly misguided." But he says he was sincere at the time.
- Huffpost.com
ZZzzzzzzzzzzzzz... humph? What? Huh? Oh, yeah, former press secretary admits to shit we already knew. Well, colour me surprised. But here's the bit that actually pisses me off:
"I fell far short of living up to the kind of public servant I wanted to be," McClellan writes. He also blames the media whose questions he fielded, calling them "complicit enablers" in the White House campaign to manipulate public opinion toward the need for war.
Bush is depicted as an out-of-touch leader, operating in a political bubble, who has stubbornly refused to admit mistakes. McClellan defends the president's intellect -- "Bush is plenty smart enough to be president," he writes -- but casts him as unwilling or unable to be reflective about his job.
"A more self-confident executive would be willing to acknowledge failure, to trust people's ability to forgive those who seek redemption for mistakes and show a readiness to change," he writes.
- Huffpost.com
Ok, what? You know, it's not like I really believed all the gold-plated crap the white house served up as it inexorably maneuvered itself into war with Iraq. And at the time I fair argued myself hoarse trying to get people to see the stupidity of it. But to sit here, some five years down the track and have the puppet himself admit that he was jerking us around, and that furthermore that it's everyone's fault and we should all feel bad and buy his book really chokes my donkey. If there was any justice in this world, Scott McClellan would spend the next 100 years being forced to eat shredded transcripts of the crap he dealt out, and is now sorry for.
Hey Scott, I'm sure the dead forgive you.
More:
- Rove responds.
- Alternet article
-What was he thinking?
Pissing Money Uphill.
Apparently the direct costs of the Iraq war so far in terms of money is $523 billion dollars. Which is a lot. But the calculated costs (including things like economic losses and long term health issues) run to three trillion dollars. Like, whoa. What could a bright country like America have done with that kind of scratch? Here's an idea:
Westinghouse AP1000 PWRs cost roughly $2Bn a pop and have a net output of 1117Mw (1.12Gw). For $513Bn we could probably negotiate a bulk discount of, say, 20%, in which case we're good for 320 reactors, or about 375Gw of output. Our entire planetary civilization consumes about 16Tw, but the USA accounts for about 40% of that, so we could buy, outright, the equivalent of 6% of the US's energy budget. But this stuff pays for itself (it's producing electricity, a fungible commodity) and in actual fact, 50% of the USA's energy budget is coal, burned for juice. So we could cut 12% of the USA's coal-sourced carbon emissions, enabling the USA to not only meet but exceed the Kyoto protocol requirements using a single, fiendishly expensive gambit (and treating it not as capital investment but as expenditure).There's also ideas like eliminating disease from all third world countries, or building and manning a colony on Mars, or just giving each family in Iraq a couple of million dollars each (what would that have done for hearts and minds?). But in all this idle speculation there's an important point to remember. See, we didn't actually piss the money away, it was simply funneled into the various corporations that supplied the equipment and logistics needed to invade the country. So all that potential didn't disappear, it just went into the corporate accounting system, into the fat cat's personal holdings, into the boardrooms and the darkrooms of the true men of power, never to be heard from again.
- antipope.org
Game Over.
For a very long time, cinemas have been fighting a war against pirates, in where people try to film the movie with a handy cam, then upload the thing onto the internet, and the theater owners and studios try to stop them, with the part of innocent-villagers-caught-in-the-crossfire being played by us. And the latest report comes from Adrian McCarthy, somewhere in America:
While at the cinema yesterday, I read a notice posted by the box office that Paramount has intentionally silenced bits of the soundtrack of _Indiana Jones and the Kingdom of the Crystal Skull_ in order to deter and track piracy. The notice acknowledged that the momentary silences were annoying but that it was out of their control. Basically it said, please don't bug the manager if the sound drops out, unless it lasts more than a minute.
- www.boingboing.net
Blanking out the sound to create a signature that can be traced back to the theater? Okay, it's official, the war was finally lost on or about the 29th May, 2008. May the Lord have mercy on us all.
Keep Watching The ...Televisions!
A video that purportedly shows a living, breathing space alien will be shown to the news media Friday in Denver.
Jeff Peckman, who is pushing a ballot initiative to create an Extraterrestrial Affairs Commission in Denver to prepare the city for close encounters of the alien kind, said the video is authentic and convinced him that aliens exist.
[...]
"It shows an extraterrestrial's head popping up outside of a window at night, looking in the window, that's visible through an infrared camera," he said. The alien is about 4 feet tall and can be seen blinking, Peckman said earlier this month.
In a statement, Peckman said "other related credible evidence" proving aliens exist will be shown at Friday's news conference, too.
- www.rockymountainnews.com
The Latest Astronaut.
Mars has another visitor. The Phoenix Mars Lander has finally fulfilled it's name and touched down on the red planet. Bask in the exotic alien views!

Nothing is written!!
Film Review: Indiana Jones and the Kingdom of the Crystal Skull.
Indiana Jones. How can you really be objective when you're watching a character that made you a movie fan in the first place? It's been 19 years since Indy last appeared, a fact that everyone including the filmmakers have pointed out as if it's an excuse of some sort. Frankly, I really don't see anything to apologize about. The latest Indy film is as exciting and fun as the previous two were. And I guess that's the point.
Raiders of the Lost Ark is an absolute classic. A perfect blend of character, story, direction and music. And people have been trying to recapture that ever since, including Spielberg and Lucas themselves in subsequent sequels. But try as they might they can't, that era and tone of film making is gone. Instead, things today are just naturally slicker, easier, and familiar, and we can either moan about it or just relax and enjoy the latest adventure, which is what I did.
Crystal Skull is set in 1957, and the years since the last adventure have apparently been busy ones for Jones. With WW2 now behind us we open with the new bad guys, the Russians, and Indy has to use all his wits to stay one step ahead. And essentially the film quickly becomes a headlong rush as Indy picks up new friends and old acquaintances, all while charging flat out into Central America in search of El Dorado, with the Russians close behind. The plot concerns itself over an ancient artifact with supernatural powers. It's not certain what it does, but the Russians want it and that's enough to keep things moving. The ending is heavy on the supernatural, but you have to remember, every Indiana Jones film has ended heavy on the supernatural, especially the first one.
The only concern I had throughout was 'where is the film going?' It starts off with a bang (...), but then comfortingly moves to having Jones back teaching at the university. Then he's off to a South American graveyard, and you don't know where this is going. Then he's into a central American rain forest and you don't know where this is going. But you eventually realize that the film is way past the halfway mark, and this is what it's been working up to - this is the finale. I believe this film will actually be a lot more fun on repeat viewings, because once you know where the destination is, you can properly sit back and enjoy the ride.
Indy is older, and the film is mostly honest about that. Some of the stunts are a little extreme even for stunt people, let alone 65 year olds, but that's being petty. I really liked this film, Harrison wears Indy like a familiar old suit, and looks more comfortable as the adventurer (and teacher) than he has been in anything over the last ten years. Karen Allen happily returns as an older, wiser but still feisty Marion, Shia LaBeouf is 'the kid' who does well for himself and Cate Blanchet chews the scenery as much as the script allows as the bad guy. But Indy sets the tone, and it's a fun, exciting and even informative tone that leads us off on one last true adventure. This is a lot of fun, damn it. Four cool motorcycles out of Five.
Epilogue:
My, do the film geeks HATE Indiana Jones 4. It seems likely they're scared of liking anything Lucas is involved with. Look, I figure you either go with the adventure or you don't. Maybe film geeks simply aren't capable of doing that anymore. Here's a good quote stolen from the AICN talbacks:
"I'll tell you what the negative reviews are. They're people that watch movies with notepads - making notes during movies about their fave moments and the points that they disengaged... besides the points where they're writing notes and not actually WITH the movie. I can't really speak for everyone - but there's people that will see a sequence like the Shia/Monkey sequence.... or the Prairie Dogs.... or even the Ants... and they'll disengage - say that's not realistic, that's just plain silly - and then they'll listen to the dialogue and think... that's corny, people don't talk like that - and while they're looking and disengaging from all those moments - they're missing the entire fucking point. INDIANA JONES isn't real - he's a concoction - he's a creation of cinema magic. He says the perfect thing, does the perfect thing - gets banged up, knocked around but at the end of it all.... He's the most amazing man the world never gave birth to. He could survive an atomic blast through ingenuity. He knew EVERYONE in the history in which he lived. And he's like a bad penny, he'll always turn up. It's about a dream of an adventurer, not the reality. The fx and sets are never quite real - because none of it is real. It's a fanciful painting of our dreams - after being drunk on the movies of the 30's, 40's & 50's... but doing that now... with all the fun and joy of the toys we have today. It's about Harryhausen and Demille... about Hawks and Ford... it's about every genre and the very celebration of movie making, watching and fandom. It's about being taken away - and there's some people that just refuse to get on board. They can't shake the cynicism of their own self-importance - and they go home... disappointed - because ultimately they've no room for being a kid anymore... even briefly."
Now either you buy that or you don't. I did.
(100 posts! Woot!)






